BIOGRAPHY
Angelica Mesiti (b.1976) is originally from Sydney and currently lives and works in Paris.
Her multi-channel sound, performance and video installations have been internationally recognised through major exhibitions and significant commissions. In 2019, she represented Australia at the 58th Venice Biennale with the three-channel video installation ASSEMBLY, exploring notions of plurality and non-linguistic communication that have become the hallmark of her work. In 2024 she presented The Rites of When, a major commission for the TANK at the Art Gallery of New South Wales, where Mesiti pays tribute to ritual practices of seasonal renewal, both ancient and contemporary. In 2026 the work will be presented as a solo presentation at the Tinguely Museum in Basel.
Since establishing her career in the 2000s, Mesiti has become known for her distinctive moving-image and sound-based works that pay homage to individual and communal forms of expression, ranging from sign language, choreographic gesture, Morse code and whistling to ancestral musical traditions, body percussion and communication between non-human species.
Mesiti’s recent solo projects include Future Perfect Continuous at Arter, Istanbul (2025), In the Round, Talbot Rice Gallery, Edinburgh (2021); Mother Tongue, Auckland Art Gallery Toi o Tāmaki (2020), A Hundred Years (2019–20), a film commissioned by the Australian War Memorial; and When Doing is Saying, Palais de Tokyo, Paris (2019). After its presentation in the Australian Pavilion at the Venice Biennale, ASSEMBLY travelled to Arnolfini Contemporary Art Centre, Bristol (2020) and the National Gallery of Australia, Kamberri/Canberra (2022–23).
In addition to Venice, Mesiti has participated in the Singapore, Busan, Adelaide, Sydney, Istanbul, Sharjah, Kochi-Muziris and TarraWarra biennials, and the Aichi and Auckland triennials. Other selected group exhibitions include: Science Fiction; A Non-History of Plants, The MEP Paris (2024), The Musical Brain, High Line, New York (2021); The Future of Silence: When Your Tongue Vanishes, Nam June Paik Art Center, Yongin-si, South Korea (2020); and Station to Station: A 30 Day Happening, Barbican, London (2015).
Angelica Mesiti has been a studio professor at the École des Beaux-Arts de Paris since 2019.
EDUCATION
Masters of Fine Art, College of Fine Arts, UNSW
Bachelor of Fine Arts with Honours, College of Fine Arts, UNSW
UPCOMING SOLO SHOW
Reverb, Tinguely Museum, Basel
SOLO EXHIBITIONS
2025
Angelica Mesiti: Future Perfect Continuous, Arter, Istanbul Acoustic Light, Galerie Allen, Paris Rapture, PAARC (Pôle Artistique Créatif Contemporain), Labenne
2024
The Rites of When, Commissioned video installation, TANK, Art Gallery of New South Wales, Sydney Sidereal, Commissioned video installation, Mire Artistic Program, Station Chêne-Bourg, Geneva
2023
Tremblement, Commissioned film for the series BY NIGHT by Misia Films and Galerie Lafayette - Premiere at Isola Edipo Festival during the 80th Venice International Film Festival, Lido, Venice
2022
ASSEMBLY, National Gallery of Australia, Canberra Future Perfect Continuous, Anna Swartz Gallery, Melbourne
2021
In the Round, Talbot Rice Gallery, University of Edinburg Scotland Over the Air and Underground, Galerie Allen Paris A Hundred Years: Australian War Memorial Commission
2020
ASSEMBLY, Arnolfini Contemporary Art Centre, Bristol UK Mother Tongue, Auckland Art Gallery, New Zealand
ASSEMBLY, National Gallery of Australia
2019
ASSEMBLY, Australian Pavilion: 58th International Exhibition La Biennale di Venezia
Quand fair c’est dire, Palais de Tokyo Paris
2018
Relay League, Art Sonje Centre, Seoul
Citizens Band: University Art Gallery, Sewanne. University of the South. Tennessee
Proto Cinema: Relay League, Tiblisis Kunsthale, Tiblisis
2017
Mother Tongue: Aarhus 2017, European Capital of Culture commissioned project. Aarhus
Angelica Mesiti: Polyphonies. Basis Frankfurt
Angelica Mesiti; Five works. National Gallery of Australia, Canberra
Relay League, Artspace Sydney Commissioned project
Tossed by Waves, Anna Schwartz Melbourne
2015
An Ocean of Air, Galerie Allen Paris
Angelica Mesiti: The Calling, Walter Phillips Gallery, The Banff Centre Canada
The Colour of Saying, Anna Schwartz Gallery, Sydney
The Colour of Saying, Lilith Performance Studio, Malmo Sweden
Angelica Mesiti: Citizens Band, Nikolaj Kunsthal Copenhagen
2014
Angelica Mesiti: Citizens Band, Williams College Museum of Art, Massachusetts USA
Angelica Mesiti: Citizens Band, Musée d’Art Contemporain de Montréal, Canada
The Calling, Ian Potter moving image commission, ACMI Melbourne
2012
Rapture (silent anthem) Institute of Modern Art, Brisbane
The Line of Lode and Death of Charlie Day, 24HR Art Northern Territory Centre for Contemporary Art
2011
The Begin-Again, C3West Project commissioned by The Museum of Contemporary Art Sydney and Hurstville City Council
2010
Rapture (silent anthem), Centre for Contemporary Photography (projection window), Melbourne
Natural History, Gallery 9, Sydney
Heritage Park, Heritage Week Film Commission, Campbelltown Arts Centre
2009
The Line of Lode and Death of Charlie Day, Dubbo Regional Gallery
2008
The Line of Lode and Death of Charlie Day, Broken Hill Regional Gallery
2003
The Rockets Red Glare, Mori Gallery, Sydney
SELECTED GROUP EXHIBITIONS
2026
Yebisu International Festival for Art & Alternative Visions, Tokyo Photographic Art Museum, Tokyo
2025
These Entanglements: EcologyAfter Nature, UQ Art Museum, Brisbane Videonale, biennale, Bonn La fête, une experience intérieure, Lille 3000, Gare Saint-Sauveur, Lille Le nouveau printemps, festival, Toulouse Rencontres Internationales, Loods6, Amsterdam Pure intention, Singapore Biennale, Singapore Science Fiction of Plants, Photo Arsenal Wien, Vienna
2024
Sky gazing, ARoS Aarhus Kunstmuseum, Aarhus Science/Fiction – une non-histoire des plantes, MEP, Paris Prosodic Grains, By Art Matters, Hangzhou Expérience #18, Mélodies en sous-sol, Caves Pommery Vranken, Reims A New Sense of the Shared World, Daejon Museum of Art, Dajeaon
2023
Portrait 23: Identity, National Portrait Gallery of Australia, Canberra Echos d’une collection– Œuvres du Frac Franche-Comté, 1st Sound Biennial, Le Manoir de la ville de Marigny, Valais The Recent,Talbot Rice Gallery, University of Edinburg, Edinburg The Court Ballet, NUCRE Rassegnadi Arte Contemporanea, Municipality of Ceglie Messapica The Part In The Story Where Our Accumulating Dust Becomes A Mountain, SeMA, Seoul Festival Côté Court, Pantin Partenership between Mondes Nouveaux and Ecole des Beaux-Arts de Paris – Launch of a vinyl by Atelier Mesiti’s students
2022
Projection croisée Misia Films & Atelier Xavier Veilhan, cinema Le Brady, Paris Aller Contre le Vent, FRAC Bourgogne Franche-Comté Les échos d’un temps lointain arrivent en sifflant sur le sable, Poush, Aubervilliers La fabrique du nous #1, Institut d’Art Contemporain, Villeurbanne
2021
The Musical Brain, Highline Art, New York Force of Listening, Art Maebashi, Japan The Blue Peal Of Bells, Museum of Contemporary Art Busan, Korea
2020
The Future of Silence, Nam June Paik Art Centre, South Korea Books at an Exhibition. An Exhibition in Ten Chapters, Busan Biennale, South Korea Antipodean Stories, PAC Milan
2019
Time Cubism, Gwangju Museum of Art, South Korea Atelier e Progretti, Museo d'arte contemporanea di Roma, MACRO Rome
2018
Here We Meet, The Galaxy Museum of Contemporary Art, Chongqing, China and Kadist San Francisco (2019)
Moving Stones, Kadist Paris
Balance of Non-Sculpting, Changwon International Sculpture Biennale, Korea
Dark MoFo Festival, Hobart Australia
Do Disturb Festival, Palais de Tokyo Paris
Adelaide Biennale of Australian Art: Divided Worlds , Samstag Museum, Adelaide
2017
Sugar Spin: You, Me, Art and Everything, QAGOMA, Gallery of Modern Art, Brisbane
Triple Point of Matter, Fiminco Foundation Paris
Rock the Kasbah, Istitute for Islamic Culture, Paris
Moving Histories: Future Projections, dLux, Touring show Australia
The Score, Ian Potter Museum Melbourne
Playlist, Ange Leccia Art Center, Oletta Corsica
2016
Chantiers d’Europe: Utopie 500, Palais de Tokyo Paris
Telling Tales, Museum of Contemporary Art Sydney
Hacking Habitat. Art of Control, Old Prison, Wolvenhoekplein, Utrecht
Static and Silence. The Lock-up Newcastle Australia
2015
Station to Station: Project by Doug Aitken, Barbican Gallery London
Tu dois changer ta vie! Lille 3000: Rennaissance, Le TriPostal Lille
24 Frames Per Second, Carriageworks Sydney
Light Moves: Festival of Screendance, Limerick Ireland
Spirit Your Mind: A Chalet Society Project, ArtBasel Miami off-site, Miami Beach, Florida
Cosmic Love Wanderlust: The Imperial Slacks Project, Campbelltown Arts Centre, Sydney College of the Arts gallery
People Like Us, UNSW Galleries Sydney
Dead Ringer, Perth Institute of Contemporary Art
2014
The Immigration Songs: Angelica Mesiti and Malik Nejmi, MAXXI Rome
Open Museum/Open City, MAXXI Rome
Sights and Sounds: Global Film and Video, The Jewish Museum New York
No Sound is Innocent, Marabouparken konsthall, Stockholm Sweden
You Imagine What You Desire, 19th Biennale of Sydney
The Australian Club, Melbourne
Transcendence: Nell, Angelica Mesiti, Aura Satz, Gertrude Contemporary, Melbourne
IMPACT, Art Gallery of Western Australia
2013
Everyday Magic, Queensland Art Gallery | Gallery of Modern Art, Brisbane
Turns – Possibilities of Performance, Galerie Allen, Paris
Mom, am I Barbarian?, 13th Istanbul Biennial, Istanbul, Turkey
Seven Points (part two), Embassy of Australia, United States of America, Washington DC
Buyuhyn-wana: The transformative persona, Lismore Regional Gallery, Australia
Awakening Where are We Standing? Earth, Memory and Resurrection, Aichi Triennial, Nagoya
If you were to live here… The 5th Auckland Triennial, New Zealand
Guirguis New Art Prize 2013, University of Ballarat Post Office Gallery, Art Gallery Ballarat
Rendez-vous 13, Institut d’art contemporain, Villeurbanne/Rhône-Alpes Lyon France
Sharjah Biennale 11, United Arab Emirates. Curated by Yuko Hasegawa
We Used to Talk About Love, Balnaves Contemporary Art Gallery of NSW
The space between us: Anna Landa Award for video and new media 2013, Art Gallery of NSW
Seven Points (part one), Embassy of Australia Gallery, Washington DC, USA
2012
Kochi-Mizuris Biennale, Kerala India
Montevideo Biennial: El Gran Sur, Uruguay curated by Alfons Hug
TarraWarra Biennial: Sonic Spheres, TarraWarra Museum of Art, curated by Victoria Lynn
NEW12, Australian Centre for Contemporary Art, Melbourne
Volume One: MCA Collection (permanent display), Museum of Contemporary Art, Sydney
2011
17th International Contemporary Art Festival SESC Videobrasil: Southern Panoramas, Sao Paulo
London Australia Film Festival (Artists Film program) The Barbican London
Videonale 13: Festival for Contemporary Video Art, Kunstmuseum Bonn
South by Southeast; Recent Video from Australia and New Zealand, 3rd Yebisu International Festival for Art and Alternative Visions, Tokyo Metropolitan Museum of Photography
Selectively Revealed, Aram Art Gallery, Goyang Seoul Korea
2010
Rencontres Internationales Paris/Berlin/Madrid, Centre Pompidou Paris, Auditorium of the Ministerio de Cultura Madrid, Haus der Kulturen der Welt Berlin
No Soul For Sale, Tate Modern London
Move on Asia, Loop Gallery Seoul Korea, LABoral, Gijon in Spain
Experimenta Utopia Now; Biennale of Media Art, Federation Square Melbourne, Carriageworks Sydney, Museum of Old and New Art Tasmania
Nightshifters; Liveworks Festival, Performance Space Carriageworks Sydney
Hardbodies, Hazelhurst Regional Gallery and Arts Centre
Time and Space, Hazelhurst Regional Gallery and Arts Centre
2009
58th Blake Prize (winner), NAS Gallery, Sydney
Helen Lempriere Travelling Art Scholarship: Finalist Exhibition, Artspace Sydney
VAD International Video and Digital Arts Festival, Girona Spain
Souvenirs from Earth, TV Channel for Contemporary Art, Germany and France
Les Recontres International Berlin/Madrid, Haus der Kulturen der Welt Berlin, Reina Sofia National Museum Madrid
Loop 09, Video Art festival Barcelona
Event; New Moving Image Works, Artspace Sydney
Australia? Mildura Arts Centre,
dTour/08 –09, d.Lux media Arts Regional touring exhibition
2008
Les Recontres International, Paris, Ecole Des Beaux Arts, Paris
National Film and Sound Archive’s Big Screen 08. Broken Hill Regional Gallery
Loop 08, Barcelona. Video Art festival
Face to Face, Australian regional touring exhibition
2007
Five x Five, Ivan Dogherty Gallery, Sydney
2006
Game On, Next Wave Festival, 200 Gertrude St, Melbourne
Play: Portraiture and Performance in Recent Video Art from Australia and New Zealand, Adam Art Gallery New Zealand and Perth Institute of Contemporary Art
2005
O.K Video Festival, National Gallery of Indonesia, Jakarta
2004
Video Spell 4: Cartographies, The Performance Space, Sydney
Work Rest Play (Escape), Imperial Slacks Collective, Artspace Sydney
720 x 576 Ate, Phatspace Sydney
2003
Sidney Kahn Summer Institute, The Kitchen, New York
2002
Desk Job, Mori Gallery, Sydney
Video, Film, Sound, Scott Donovan Gallery, Sydney
Broken Hotel, Tour dLux, Broken Hill, NSW
Projekt Issue 2, Kings ARI Melbourne
Positive Overkill, Imperial Slacks Gallery, Surry Hills
PRIZES, GRANTS, RESIDENCIES & COMMISSIONS
2025 Geneva magazine n°66, Museum of Art and History, invited artist
2024 TANK commission series, Art Gallery of New South Wales
Commissioned film, Mire Artistic Program, Geneva
2023 Commissioned film for the series BY NIGHT by Misia Films and Galerie Lafayette, Paris
2019 Australian Pavilion 58th Biennale di Venezia, Venice
2018/21 WW1 Centennary Artists commissions, Australian War Memorial
2016 Aarhus European Capital of Culture 2017. New work commission
Nominee for Le Prix Meurice Paris
Artspace 2017. New work commission
2015 Australia Council for the Arts, New work grant
2013 Anne Landa Award for Video and New Media Arts
The Ian Potter Moving Image Commission
2011 AFTRS Creative Fellowship Award
Arts NSW Quick Response Project Funding
2010 Sydney Underground Film Festival (Jury Award)
2009 58th Blake Prize for Religious and Spiritual Art
Australia Council for the Arts, new work grant
Cité International des Arts residency (University of New South Wales studio)
Ian Potter Foundation Travel Grant
2008 Nava Marketing Scheme Grant
2007/09 University Post Graduate Scholarship, UNSW
2002 RUN_WAY Young and Emerging Artists Initiative, Australia Council
MONOGRAPHS
Angelica Mesiti The Rites of When - Published by Art Gallery New South Wales. ISBN 978-1741741711, 2024
Angelica Mesiti / In the round - Edited by Tessa Giblin, Melissa MacRobert. Published by Talbot Rice Gallery Editions in partnership with Edinburgh University Press. ISBN 978-1-83812325-3, 2022
Angelica Mesiti ASSEMBLY - Commissioning editor Juliana Engberg. Published by The Australia Council for the Australian Pavilion 58th Venice Biennale. ISBN 978-86257-001-6, 2019
Angelica Mesiti ‘Quand faire c’est dire’ Palais de Tokyo - Published by Les presses du réel. ISBN 978-2-37896-084-1, 2019
A Communion of Stranger Gestures - Edited by Alexie Glass-Kantor and Talia Linz. Published by Schwartz City and Artspace. ISBN 9781760640149, 2017
Angelica Mesiti: The Calling. Ian Potter Moving Image Commission - Published by The Australian Centre for the Moving Image. ISBN 9781920805197, 2016
SELECTED PRESS & BIBLIOGRAPHY
2025
Vitamin V: Video and the Moving Image in Contemporary Art, Phaidon Press, 2025
2024
Dee Jefferson, “Angelica Mesiti’s The Rites of When: a ravishing, immersive work that approaches the sublime”, The Guardian, September 2024
Joanna Mendelssohn, “Angelica Mesiti’s The Rites of When finally makes sense of the Art Gallery of NSW’s Tank. It is worth the plane flight”, The Conversation, September 2024
Georgia Hope, “When the time seems rite for renewal”, The Australian, September 2024
Alex Mitchell, “Stars and solstice rite stuff of major art exhibition”, Camden Haven Courier, September 2024
Melissa Peša, “Angelica Mesiti. The Rites of When”, Art Almanac, September 2024
“Angelica Mesiti .The Rites of When”, Australian Arts Review, September 2024
2022
D.N. Rodowick, “Angelica Mesiti's World Citizens”, October 181, #181, Summer 2022
2020
Mathilde Roman, Habiter l’exposition - L’artiste et la scénographie, Manuella Editions, 2020
2019
Great Women Artists, Phaidon Editors, 2019
Dee Jeferson, “Australian pavilion at Venice Biennale will house poetic of pluralist, democratic society”, ABC News, March 2019
Celine Garcia-Carré, “Portrait”, L’Oeil, May 2019 Jean-Marie Wynants, “Angelica Mesiti, au-delà des mots”, Le Soir, April 2019
Maxime Der Nahabédian, “Angelica Mesiti, Quand faire c’est dire”, Say Who, February 2019
Guillaume Benoit, “Angelica Mesiti - Palais de Tokyo”, Slash, March 2019
Linda Morris, “Visual artist Angelica Mesiti puts unity into art for her Venice debut”, The Age, March 2019
Andrew Bock, “Angelica Mesiti finds poetry in motion pictures for Venice Biennale”, The Sydney Morning Herald, May 2019
Diane Nazaroff “UNSW alumna’s Venice Biennale entry examines the collective power of « the people »”, UNSW Sydney Newsroom, 2019
Judah Hettie, “Meet the women taking center stage at the Venice Biennale in 2019”, Vogue Australia, May 2019
“Quand faire c’est dire”, Parisart, March 2019
Roxana Azimi, “La Biennale de Venise, un accélérateur de côte pour les artistes”, Le Monde, May 2019
2018
Alexie Glass-Kantor and Haeju Kim, “Angelica Mesiti in Conversation”, Ocula, February, 1st, 2018
Coly Delistraty, “Emerging artists to watch this year”, Modern Painter Magazine, Jan-Feb 2018
Tom Jeffreys, “How we speak”, Frieze #192, Jan-Feb 2018
2017
Claudia Arozqueta, “Angelica Mesiti: ArtSpace, Sydney”, Critic’s Pick in Artforum, June 2017
Craig Judd, “Review- Angelica Mesiti: Relay League”, Artlink, June, 22, 2017
Christopher Allen, “Angelica Mesiti: message received at Anna Schwartz and Artspace galleries”, The Australian, June, 17, 2017
Steve Dow, “Angelica Mesiti communicates via multiple sense in Relay League”, Art Guide Australia, May, 18, 2017
Emerald Dunn Frost, “Hand-Drawn Review: Relay League at ArtSpace”, FBI Radio, May, 16, 2017
Katya Wachtel, “Angelica Mesiti in Paris”, Vault Australasian Art & Culture, May 2017
Lauren Carroll Harris, “Angelica Mesiti recodes video art”, Real Time Arts #138, April - May 2017
Emmanuelle Jardonnet, “Nos cinq choix culturels pour le week-end”, Le Monde, March, 17, 2017
2016
“Six artistes sélectionnés pour le Prix Meurice”, Le Quotidien de L’Art #1093 p.7, June 24, 2016
2015
Toni Ross, “Angelica Mesiti Anna Schwartz Gallery Sydney”, Artforum September 2015, vol. 54, no.1, pg 405
Clarissa Sebag-Montefiore, “Angelica Mesiti: the artist who records a choir in song without a single sound” The Guardian, Friday 8 May 2015. http://www.theguardian.com/artanddesign/2015/may/08/angelica-mesiti-artist-interview-sydney
Maryse Morin, “Notes on the Melody of Things” essay for the solo exhibition An Ocean of Air, Galerie Allen Paris. September 2015
Nicholas Forrest, "Why Angelica Mesiti’s Colour of Saying Will Stop You Dead", BlouinArtinfo 19th May, 2015
Andrew Taylor “Angelica Mesiti explores silence in new video work at Anna Schwartz Gallery” The Sydney Morning Herald, April 14th 2015
Laura Bannister, “Cinema, Sincerity and Angelica Mesiti”, MUSEUM, Issue 3 2015, pp 40-43
Christopher Allen, REVIEW: Carriageworks, Sydney: 24 Frames per Second, The Australian Newspaper, July 4th 2015
Maryse Morin, "Angelica Mesiti, Citizens Band...Le sens de ce qui circule entre nous," ETC Media, Revue D'Arts Mediatiques. pp.62-63, 15 Février-15 Juin 2015
2014
Christopher Allen, “Lend Angelica Mesiti your ears”, The Australian, 17th May 2014, pp.10-11.
Robert Nelson, “Calling attention to ancient languages: The Calling by Angelica Mesiti”, The Age, 12 February 2014 . http://www.theage.com.au/entertainment/art-and-design/angelica-mesiti-hearkens-to-whistling-language-in-the-calling-at-acmi-20140211-32fv0.html
2013
Columbus, Nicki (Ed), Re:Emerge, Towards a new cultural cartography, Sharjah Biennial 11 exhibition catalogue, (Sharjah: Sharjah Art Foundation, 2013)
Jacqueline Millner, “<<The more global one is, the more local one desires to become>> Angelica Mesiti: Being World”, Contemporary Art + Culture Broadsheet, Issue 42.2, 2013, pp.104-107
Dan Rule, ‘Fragments of Cinema Angelica Mesiti’s Poetic Video Works Embrace and Subvert the Cinematic Device’ Vault, Issue 3, April
Rosa Gubay, ‘Art R&R: The 5th Auckland Triennial’, Gather & Hunter
Nicholas Forrest, ‘Is Angelica Mesiti Australia’s Most Popular Contemporary Artist?’, Blouin ArtInfo, April 10
Audrey Hoffer, ‘Australian Embassy Aims to Dispel Down Under Cliches’, The Washington Diplomat, April 1
Christopher Allen, ‘Wide of the Heart’, The Weekend Australian Review, February 23
Hou Hanru, Christina Barton, Pascal Beausse, Felicity Fenner (et al), If you were to live here…The 5th Auckland Triennial, ex cat., Auckland Art Gallery, 2013
Jacqueline Millner ‘Angelica Mesiti’, 5th Auckland Triennial: If you were to live here…catalogue essay, pg,126,127,
Michael Fitzgerald, “Angelica Mesiti: Prepared Piano for Movers (Haussmann), Photofile, Vol 93, Spring/Summer, 2013-14, pp. 40-47
Juliana Engberg, ‘It’s a long way to the top’ Art & Australia, Vol. 50/4 2013 pg.620-627
Jacqueline Millner, “Angelica Mesiti”, Rendez-vous 13, ex. cat., Institut d’art contemporian, Villeurbanne, 2013
Robyn Davidson, ‘Citizens Band’ The Space Between Us: The Anne Landa award for video and new media art 2013, Art Gallery of NSW. Catalogue essay e-publication
Jamal Mecklai, ‘Joy and hope in Cochin’ The Business Standard, April 30, 2013 http://www.businessstandard.com/article/opinion/joy-and-hope-in-kochi-113040400532_1.html Joel Mu, ‘Angelica Mesiti’ We used to talk about love, Balnaves contemporary: photomedia. Art Gallery of NSW catalogue essay pg58-65. Published by The Art Gallery of NSW 2013
Robyn Davidson, “Citizens Band”, Exhibition catalogue essay. The Space Between Us; Anne Landa Award for New Media Art, Art Gallery of NSW, 2012.
2012
Juliana Engberg ‘Rapture and Rupture: Angelica Mesiti’s Citizens Band’, NEW12 Catalogue essay, Australian Centre for Contemporary Art, Melbourne
Hayley Haynes, ‘Angelica Mesiti’s Citizens Band at NEW12, ACCA’, Das Platform, 15 May,
http://www.dasplatforms.com/das_five_cent/angelica-mesiti’s-citizens-band-at-new12-acca/
Brook Turner, ‘New Artists Get into the Swim’, The Financial Review, 5-9 April, pp 70
Andrew Stevens, ‘Bold new strokes’, The Age, 17 March
Dan Rule, ‘Immersive Sensory and Spatial Environments at NEW12’, Broadsheet, Melbourne, 22 March
Minu Ittyipe, ‘Portraits From the Kochi Biennale: Video Artist Angelica Mesiti’, NYTimes.com Dec 17 2012
http://india.blogs.nytimes.com/2012/12/17/portraits-from-the-kochi-biennale-video-artist-angelica-mesiti/
Roxana Azimi, ‘Une Biennale de sharjah tout en musicalité’ Le Quotidien De L’Art, Numéro 344/22 Mars 2013. Pg 6
Victoria Lynne, ‘Sensing Sound’ Sonic Spheres: TarraWarra Biennial 2012, TarraWarra Museum of Art. Pg4-9. Published by Tarrawarra Museum of Art 2012
Andrew Frost ‘50 things collectors need to know: Angelica Mesiti’ Australian Art Collector, Issue 59 jan-Mar 2012. Pg 114
2011
Rachel Kent, Abigail Moncrief ‘Angelica Mesiti: The Begin-Again’, published by C3West and The MCA Sydney, 2011
Daniel Mudie Cunningham, ‘The Begin-Again’, Runway, Issue 19: Life, Winter 2011, pp.
Jacqueline Millner, ‘Decentralising Cultural Capital’, Broadsheet, Vol. 40 No. 2, June 2011, p. 141
Virginia Baxter, ‘Re-inventing the city: Hurstville, Singapore, Blacktown, Manila’, RealTime, Volume 103, June-July 2011, pp. 2-3
Annalice Creighton, ‘Angelica Mesiti: The Begin-Again’, DAS 500, accessed 12 May, 2011, <http://www.rococoproductions.com/500/500_047.html>
Steve Meacham, ‘From drag king to Dragon town via Paris’, Sydney Morning Herald, 29 March, 2011
2010
Angela Bennetts, 'Natural History', Runway, Issue 16: Disappearance, 2010, p.70-74
2009
Ashleigh Wilson, ‘For winner Angelica Mesiti, the Blake Prize rocks’, The Australian, 4 September, 2009
Adam Fulton, ‘How videos killed the painting stars at the Blake Prize’, Sydney Morning Herald, 4 September, 2009
2006
Aaron Kreisler, 'Faraway So Close,' Listener New Zealand, Jan 14th, p49
2001
Tanya Peterson, 'Serial 7’s,' Eyeline Contemporary Visual Arts #47, summer 2001-2002